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  • Weekly Writing Challenge. 02/25/2026

    Weekly Writing Challenge. 02/25/2026

    J is for Jogah contd.

    Nothing good he imagined. He was too young to have read anything that might explain the purpose of the door, leaving the only plausible answer open to his imagination. He did not want to see what used that door, but at the same time his innate curiosity filled him with a desire to keep a close eye on it, to make sure whatever did come through, was not going to harm anyone.

    As the afternoon neared early evening the last of the furniture had been placed and the canvas tarps had been removed. His mother was in the kitchen fixing dinner while his father sat on the front porch to share a beer with the men who moved them. Jeffery had come down and was sitting in one of the lawn chairs on the porch as the men spoke quietly about their families, and what had prompted them to move people’s belongings for a living.

    One of the older men who had chosen a glass of iced tea in place of the offered beer was sitting near him and Jeffery noted that he kept glancing in his direction. He also noted that in addition to not wanting a beer, he was different in that his only participation in the conversation was in response to any questions that came his way. Between these his attention kept drifting back to Jeffery.

    As the other men laughed at a coarse joke he turned to Jeffery. “You’ve seen them?”

    The question was to the point and Jeffery immediately understood the context in which it had been asked. Had he seen them? Of course he had, but after that night in the kitchen he never said a word to anyone else about it. His mother’s response to his assertion that he had seen a ghost was to send him for counseling. To an old man who smelled of cigarettes and whiskey. Who kept coughing into his handkerchief that Jeffery noted was becoming spotted with blood. He only went to the counselor for several sessions before his appointments were dropped without reason. Maybe the doctor had assured his mother there was nothing wrong with him short of a child’s imagination, but Jeffery suspected something else had happened.

    “Seen what?” Jeffery responded with all the innocence he could muster.

    The old man smiled, one front tooth gold and glowing softly in the waning light. “You’re a cagey one. But you know what I mean, I can see it, there’s an air about you.”

    “What kind of air?” he asked.

    The old man’s face broke into an even wider smile, his eyes twinkling with merriment. “I like you, you know what’s going on, you’re closer to them than you think. But keep in mind they can’t hurt you unless you let them.”

    “What can’t hurt me?” Jefferey had become unsettled with the old man’s comment, his suspicions growing that the old man knew about his special talent, though he had never told anyone.

    “I was like you the first time I saw one, it doesn’t get any easier, but you can learn to ignore them, in fact I believe that’s the best you can do. If they knew you could see them that would acknowledge their presence and they would never leave you alone.”

    It was all Jeffery could do to shrug indifferently. The old man had hit the nail on the head. The how and why were not important. But the fact he could see it was. What was it about him that stood out?

    “There’s a glow about you, I have it too, but you haven’t learned to see it yet. You will in time, and when you do you’ll be surprised by how many there are of us.”

    By this time the conversation on the porch had turned to leaving and the old man’s co-workers were calling for him to come along. Bill was his name, and he responded by throwing a wink in Jeffery’s direction before placing his half empty glass of iced tea on the table beside him and pushing himself to his feet.

    “Just remember, they can’t hurt you unless you let them.”

    With that he was gone, following the other three to the two trucks parked in the driveway. Vanishing into a cloud of diesel as the silence of the approaching night washed over them.

    “What did he mean they can’t hurt you?” his dad asked as Jeffery joined him at the front door, his eyes drawn once again to the smaller door to the left of the entrance.

    “Nothing, we were just talking about a new school and all that.” Jefferey hated lying to his dad but were he to tell him the truth he was afraid he might end up back in counseling.

    “It’s called a milk door,” his dad said, pointing at the smaller door, “years ago milk was delivered every day and some people built small doors for the milk to be put inside by the delivery guy.”

    “Why couldn’t they just go to the store?” Jefferey asked.

    “I guess that’s the way it was back then.”

    To be continued!

  • New Release: An Hour Before Dark by Larry Hinkle

    New Release: An Hour Before Dark by Larry Hinkle

    Click on cover to order.

    Strange things are afoot on the Eris Ridge Trail.

    The barriers between worlds are breaking down.

    People, planes, an entire military base—all have gone missing, transported to an ever-changing cosmic kaleidoscope where they’re hunted, haunted, recruited, and cursed, trapped in time and terrorized by forces they can’t comprehend.

    A man afraid of flying boards a never-ending flight. An online paranormal show’s investigation takes a bloody detour. A woman on the run is recruited by a mysterious corporation with nefarious plans. An army guard fights for his life when the military opens a doorway they can’t close.

    In An Hour Before Dark, Larry Hinkle returns to the Trail with ten interconnected tales that deepen the mystery while expanding the mythos.

    Watch your step on the Trail. It will be dark soon.

    About the author:

    Larry Hinkle is still probably the least famous writer you’ve never heard of. A copywriter living with his wife and two doggos somewhere in America, when he’s not writing stories that scare people into peeing their pants, he writes ads that scare people into buying adult diapers, so they’re not caught peeing their pants.

    His newest collection, An Hour Before Dark, comes out in February, 2026. His cosmic horror novella, The Eris Ridge Trail, was released to great reviews in March 2025, while his debut collection, The Space Between, was published in February 2024. His short stories made the preliminary ballot for the Bram Stoker Awards (horror’s highest honor) in 2020 and 2022. His stories have also appeared in The Rack: Stories Inspired by Vintage Horror Paperbacks; The Rack II: More Stories Inspired by Vintage Horror Paperbacks; October Screams: A Halloween Anthology; and multiple times on The NoSleep Podcast, among others.

    He’s an active member of the HWA; a graduate of Fright Club and Crystal Lake’s Author’s Journey short story and novella programs; an HWA mentee; and a survivor of the Borderlands Writers Bootcamp.

  • Establishing Daily Routines for Effective Writing

    Establishing Daily Routines for Effective Writing

    My wife is always teasing me about how structured my days are. “It’s 8:30, time for Rick to grab breakfast, then go to his office and work.”

    “It’s eleven o’clock, time to work out.”

    “We don’t always have to eat dinner at five.”

    But for me these routines are important in helping me manage my day. It’s critical that we establish routines in our daily lives so as not to become overwhelmed with all of the mundane tasks that occupy our days. I know a few people who are so disorganized that they act surprised when it’s time to go to work, as if that moment were a wild beast quietly sneaking up on them.

    You probably know a few in your own life. Those people who are never on time and can’t really be relied upon to be where they promise they will be.

    “I’m sorry, was that today?” They’ll tell you even though they had known about the appointment for than a month and had been reminded periodically. There is a certain subset of society who likes to blame this on a new phenomenon called Time Blindless. Of course, I’m old school and willing to call it what it is. Laziness. But that’s a subject for another time and place.

    Today I want to talk about writing and routine, and why a routine is important in not only writing, but in every aspect of a person’s life. Routine provides a structure to your day, a roadmap if you will that guides you through the myriad events of your day, ensuring you meet your own expectations and arrive on time at any appointments you may have scheduled.

    When I served in the military punctuality was drilled into us relentlessly. “If you’re ten minutes early you’re on time. If you’re on time you’re late.” Unfortunately, command had a totally different idea as to what was considered on time.

    We had another saying in the military that tied neatly into the first. “Hurry up and wait.” It was not unusual to get the order to move out at 0600, 6am for those not familiar with military time, yet we’d all be sitting around in the staging area come 9am waiting for someone to pull their foot out of their ass so we could get going.

    It’s a good thing this was in training and there was not a friendly force out there somewhere desperately holding on waiting for us to show up with a promise to roll at dawn. Of course, most would not have expected the unit to move when promised anyway. Yet, somehow, we have managed to maintain our place as a reigning superpower.  

    And here I’m going off on another tangent. The real reason behind all this is that I should have had this finished and uploaded to my blog yesterday. But here I am at 8:53 am ET, writing this post. Sorry.

    As for writing, creating, or learning a new process it’s important to structure your day around your goals. When you establish a time and place, and stick to it, you’re telling yourself that this is the time and place where I will write. At first it might seem counterproductive to restrict your writing to a certain time and place, but it’s important to do so as you will train your body, and your mind to be ready to create at that time. At first you may end up browsing the web, or writing a late blog post, but you’re forcing yourself to concentrate on writing at this time.

    That doesn’t mean you can’t brainstorm the rest of the day. Most of us gather material for our work from our daily interaction. Writing down ideas, and thoughts throughout your day will help you store them for when you cam sit down to write.

    How many have heard the excuse. “I can’t write unless my muse is speaking to me, or they’re inspired to create.”   

    When you train yourself to write at a certain time and place you’ll be amazed to learn how easily it comes to you with a little practice. So be patient. Even if you only have an hour a day or can only manage a hundred words. That’s a hundred words that weren’t there before. A hundred words a day can add up, that’s 3000 words a month, which is the length of a typical short story. In one hundred days a hundred words a day will net you 10,000 words. Are they perfect words? Likely not, but everyone starts somewhere.

    What you’ll find when you start focusing your efforts is your word count for that hour can climb. Right now, as I’m writing this post it has been twenty-five minutes since I started and I’ve managed to put down 778 words to this point. They’re not completely clean by any stretch of the imagination, but within the next half an hour I’ll have a finished post that hopefully you’re reading right now.

    Tell me about your process. Do you have a set time and place to write, or create? Or do you take the scattered approach and grab what time you can spare throughout the day?  

  • A conversation with myself. Cheryl from Adversary

    A conversation with myself. Cheryl from Adversary

    1. Can you describe how your mother’s death changed your relationship with your father and your brother Frankie?

    When Mom died, it was like the ground disappeared beneath us. Dad just shut down. He was there, but not really there, you know? He drank more, and I felt like I had to be the adult, especially for Frankie. He needed someone, and I guess I needed to feel needed. But it was lonely. I missed having a real family, and sometimes I was angry at Dad for not being able to hold it together for us.

    2. What was going through your mind the night you left home with Andrea and her friends?

    Honestly? I was mad. At Dad, at Michelle, at the world. I wanted to get away, to feel like I had some control over my life. I thought maybe if I just left for a while, someone would notice. But mostly, I just wanted to forget everything for a night. I didn’t realize how quickly things could go wrong.

    How did you feel when you realized you were in over your head with Andrea’s group and the events that followed?

    Terrified. I tried to act tough, but inside I was panicking. I kept thinking, “What have I done?” I wanted to go home, but I was too proud to admit it. When things got violent, I just wanted to disappear. I felt so stupid for putting myself, others in danger.

    4. What was your relationship like with Michelle, and how did it evolve over the course of the story?

    At first, I hated her being around. She wasn’t my mom, and I didn’t want her to try to be. I was jealous, I guess, and angry that she could step in when I felt so lost. But she never gave up on us. She was there, even when I pushed her away. Over time, I saw how much she cared, and I realized she was hurting too. Now, I’m grateful for her. She’s family.

    5. Can you talk about your protective feelings toward Frankie? What drives you to defend him, even at great personal risk?

    Frankie’s my little brother. He’s different, and people don’t always understand him. After Mom died, I felt like it was my job to look out for him. He’s innocent, and I couldn’t stand the thought of anyone hurting him. I guess I needed to protect him because I couldn’t protect Mom, and I didn’t want to lose anyone else.

    6. How did you cope with the guilt and trauma after the violent events involving the police and your classmates?

    I didn’t, not at first. I tried to pretend it didn’t happen, but the nightmares wouldn’t let me forget. I felt guilty for surviving, for not doing more, for being there at all. It took a long time to talk about it, and even longer to forgive myself. Dad and Michelle helped, just by being there and not judging me.

    7. What did it mean to you when Michelle gave you the family heirloom on your eighteenth birthday?

    It meant everything. It was like Mom was reaching out to me, telling me it was okay to move forward. Michelle didn’t have to do that, but she did, and it made me realize she really cared. It helped me let go of some of the anger and finally accept her as part of our family.

    8. How did your view of your father change as he confronted his own grief and the supernatural threats facing your family?

    I saw him as human again. Not just my dad, but a person who was hurting and trying his best. When he fought for us, I realized he hadn’t given up, that he was just lost. It made me want to forgive him, and to try to rebuild what we’d lost together.

    9. Looking back, what advice would you give to someone facing loss and feeling alone, as you once did?

    Don’t shut people out. It’s easy to get angry and push everyone away, but that just makes it worse. Let people help you, even if you don’t think you want it. And don’t be afraid to talk about how you feel. You’re not alone, even when it feels like it.

    10. Now that your family has found some peace, what are your hopes for the future, for yourself, and for Frankie and your new family?

    I just want us to be happy. I want Frankie to have a chance at a normal life, whatever that means for him. I want Dad to find peace, and for Michelle to know she’s loved. As for me, I want to move forward, maybe go to college, and see what life has to offer. I want us to be a real family again.

    If you’d like to learn more about Cheryl and her family grab a copy of Adversary, book one in the Shadows of the Past trilogy.

    Click on cover for more info.
  • Pre-Order Carver House

    Pre-Order Carver House

    Click on cover to pre-order

    Every city has places you don’t go after dark. Carver House is one of them.

    After a concert in 1984, three suburban friends take a wrong turn into Carver Heights—a neighborhood where the streetlights don’t work and the buildings lean like corpses. When they spot a barefoot boy wandering alone in the cold, they stop to help.

    Big mistake.

    The address he gives leads to Carver House: a rotting apartment tower where hallways shift behind your back, stairwells spiral into nothing, and doors open onto things that should not exist. The lights don’t work. The air smells like old sickness. And something is hunting them in the dark.

    As Jamie, Todd, and Wendy search for an exit, the building twists around them—deeper, darker, stranger. The boy wasn’t lost.

    He was bait.

    And Carver House doesn’t let go.

    Some detours lead you home. This one doesn’t.

    A nightmare of living architecture for fans of Scott Smith’s The Ruins, Adam Nevill’s The Ritual, and readers who crave 80s horror nostalgia with cosmic dread.

    About the Author

    Jonathan Daniel writes horror that breaks you.

    Madness. Monsters. Blood. His books deliver relentless scares for readers who want darkness, visceral violence, and characters pushed past their limits.

    He got hooked on horror after reading Pet Sematary way too young (thanks for the nightmares, Dad). These days he lives in Birmingham, Alabama with his wife and hyperactive Boston Terrier, Buster—brewing beer, binging 80s slashers, and trying to convince people that creature features are high art.

    Subscribe to Unspeakable Encounters and join The Unhinged at: byjonathandaniel.com